R.I.P. SUPER ROCKING MR MAGIC TRIBUTE W/ FUNK FLEX & KOOL DJ RED ALERT ON HOT 97. MARKS THE 1 YEAR THAT THE LEGEND AKA SIR JUICE PASSED AND WILL NOT BE FORGOTTEN

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VIDEO SOUL HOST:DONNIE SIMPSON A long time ago one of my homies gave me a vhs tape of some hip hop footage because he knew i was into collecting and this is a piece from it!

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From 1993 Album: “Looks Like A Job For..”…..

Big Daddy Kane’s Myspace:

http://www.myspace.com/officialbigdaddykane

Get Big Daddy Kane’s Music:

http://www.amazon.com/Big-Daddy-Kane/e/B000AQ0KIG/ref=ntt_mus_gen_pel

&

http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewArtist?id=1710196

Antonio Hardy (born September 10, 1968 in Brooklyn, New York)[1] better known by his stage name, Big Daddy Kane, is an American rapper. He started his career in 1986 as a member of the rap group, the Juice Crew. He is considered one of the most influential and greatest MCs in Hip Hop.

Regarding the name Big Daddy Kane, he said: “The Big Daddy part and the Kane part came from two different things. The Kane part came from my fascination with the Martial Arts flicks when I was young. The Big Daddy came from something that happened on a ski trip one time involving a young lady.”

In 1984, Kane became friends with Biz Markie, and he would co-write some of Biz’s best-known lyrics.[citation needed] Both eventually became important members of the Queens-based Juice Crew, a collective headed by renowned producer Marley Marl. Kane signed with Marl’s Cold Chillin’ Records label in 1987 and debuted the following year with the 12″ single “Raw,” an underground hit. Kane is known for his ability to syncopate over faster hip hop beats, and despite his asthmatic condition he is acknowledged as one of the pioneering masters of fast-rap. His sense of style is renowned and set a number of late-1980s and early-1990s hip hop trends (high-top fades, velour suits, and four-finger rings). The backronym “King Asiatic Nobody’s Equal” is often applied to his moniker. His name “Kane” came from Caine from the popular TV show Kung Fu. The “Big Daddy” came from Vincent Price’s character in an old Frankie Avalon movie, Beach Party.

He released his debut album under Cold Chillin’ Records in the early summer of 1988 called Long Live the Kane which featured the hip hop hit “Ain’t No Half Steppin”. The following year, he released his second album and biggest hit to date It’s a Big Daddy Thing which included 1970s sample throwbacks like “Smooth Operator” and the Teddy Riley produced track “I Get the Job Done” which hit the R&B top 40 during the closing of the 1980s. He also had a memorable verse on the Marley Marl produced track “The Symphony” released in late 1988 which included Juice Crew member Craig G, Masta Ace, and Kool G. Rap (later remixed to include Big Pun, DMX and KRS-One).

Big Daddy Kane appeared on Patti Labelle’s 1991 effort, “Burnin’”. He provided the rap chorus to the single “Feels Like Another One”. He also appeared on the video release “Live in New York”.

Widely regarded as one of the greatest rappers during the “golden age” of hip hop (19861993), Kane’s experimentation with R&B beats and his alignment to the Five Percent faction drew criticism. Later albums, such as Looks Like a Job For, were acclaimed, but he was never able to return to the commercial and artistic success of It’s a Big Daddy Thing. However, he still tours extensively.

As an actor, he debuted in Mario Van Peebles’ 1993 western, Posse, and appeared in Robert Townsend’s 1993 Meteor Man. Big Daddy Kane also posed for Playgirl and Madonna’s Sex book during the 1990s.

During the early 1990s, Jay-Z is known to have been Big Daddy Kanes hypeman, and Kane helped him early on in his career – Ice-T says, I actually met Jay-Z with Kane. Kane brought Jay-Z over to my house. Kane himself says that Jay-Z wasnt technically his hypeman in the true sense of the term he wasnt a hypeman, he basically made cameo appearances on stage. When I would leave the stage to go change outfits, I would bring out Jay-Z and Positive K and let them freestyle until I came back to the stage. Jay-Z was also featured on Big Daddy Kanes track Show & Prove from Daddys Home (1994), as well as in the video.

Extended & updated info here: http://en.wikipedia.org/wiki/Big_daddy_kane

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Intro:
Aiyyo Kris man! (Yo)
I’m seein a lot of movement in the industry right now
I’m seein a lot of cats (uh-huh) comin into the industry
But they got the wrong idea (I hear what you sayin, I see it)
Nah but f’real f’real, a lot of cats comin into it like
“Yo what could the industry do for me?” No!
What could you bring to the industry?

KRS-One:
Nuttin new, nuttin new, dem not sayin nuttin new
Nuttin new, nuttin new, dem not sayin nuttin new
They run they run they run they run they run their lyric through
But when you’re finished rhymin you have not heard nuttin new
So this one dedicated to the one that run their rhyme-a
Time after time after time after time
I know what you will say before you jump up on the stage
But make sure you don’t say “Di-di-di-dah-di-di-di-day”
Then we’ll have to look for you and chop you all up
So when you see me in the street just keep your mouth shut
Nuttin new, nuttin new, dem not sayin nuttin new
Nuttin new, nuttin new, dem not sayin nuttin new; what
Everything you doin kid we already did it
Everything you spittin kid we already spit it
This my 15th album I’m havin FUN wit’chu critics
Everything you doin kid we already did it
If rap was a toilet, I woulda already shit it
Critics sayin, “Kris you shoulda already quit it!”
But I can’t stop won’t stop spittin crazy lyrics
Cause I, +AM+ hip-hop, other rappers just try
You critics wanna sit down and debate every line
But tryin to get into my concert same time
Spot all packed up, cops yellin “BACK UP! BACK UP!”
KRS yellin “SOUND MAN TURN THE TRACK UP!”
We act up the whole spot a hour straight
We rock 30 classics, at least 20 breaks
We always in demand and, you must overstand man
We won’t be found man on Billboard or SoundScan
Seek me, and you will find
Where I be kickin or spittin that ill rhyme
Until then, they can’t see me, cause I be
in the heart of every rapper I shine
Nuttin new, nuttin new, dem not sayin nuttin new
Nuttin new, nuttin new, dem not sayin nuttin new
They run they run they run they run they run their lyric through
But when they’re finished rhymin you have not heard nuttin new
So this one dedicated to the one that run their rhyme-a
Time after time after time after time
I know what you will say before you jump up on the stage
But make sure you don’t .. YO! YO MARLEY TURN ME UP A BIT
Which one of you punk-ass rappers
wanna get chewed up, like seafood platters?
Bring your best rhyme, it don’t matter to me
You ain’t gettin on tonight by battlin me
The streets won’t forgive you man, them guns go BLAM
Have you crawlin up the wall like Spider-Man
You all in the jungle, with no Spears like Brittney
Like the coke want Whitney, you still wanna get me
But no, you ain’t, made for this
I put my hand through your chest like Agent Smith
I jam like them big four-fifths
I go off like a glock 9, no safety on Kris~!
Y’all talk ’bout platinum, I don’t need all that
I got 26 gold AND platinum plaques
I’ll take away your rights like the Patriot Act
Have your whole crew thinkin, “Well maybe he is kinda whack!”
Hahaha, oh – you know what happens after this
Win or lose, you know what happens after Kris
They call me Blastmaster cause I be blastin
Have yo’ ass lookin like Jesus in “The Passion”

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